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Again, a sensible decision on the part of the designers. I’d imagine these were possibly the least used feature – having met a few Mbox owners in my time – and these have been dropped in favour of the inclusion of Midi I/O. What the classic Mbox did have over its successor were insert point jacks. Each mic amp, however, is now provided with a –20dB pad button this time around. Specifications for the two microphone preamps remain exactly the same as the old model but no longer sport the Focusrite branding. Total harmonic noise combined with distortion has dropped to a healthy 0.00079% of the published dynamic range – an amazing increase compared with the old machine’s 0.003% (of 103dB) spec. The supported sample rates remain at 44.1 and 48k (a limitation of the USB 1.1 format).
The dynamic range of both the A/D and D/A has been increased by 3dB to 106dB. Technically the Mbox 2 sounds much better than the ‘classic’ Mbox. Windows machines are supported too, of course, but they don’t look quite as nice, do they? Cosmetically the Mbox 2 looks good snuggled alongside an iBook or Powerbook. An allen key is included to facilitate the changeover. If however, you find the handle tends to dig into your ribs when carting the Mbox 2 between sessions in your backpack, it can be replaced with the (supplied) flat faceplate, again rubberised to combat slippage.
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Plus the handle, being rubberised, prevents the device from slipping about on the table and ending up on the floor destroying your headphone cable. In which case the handle raises the front panel sufficiently away from the unit’s resting position, giving you perfect access to the controls. The bizarre thing is, other manufacturers went ahead and copied the idea! But just in case you’re keen on the vertical-style placement, Digidesign has hedged its bets and constructed the Mbox 2 such that it can also point heavenwards with the aid of a handle fixed to the front panel. It was never a smart move to have the original Mbox standing vertically, especially when the headphone socket was at the top of the unit. The newly designed Mbox 2 has changed to a far more sensible horizontal format, much like almost every other piece of audio equipment. Comfortably HorizontalĪll things evolve so I suppose it was inevitable that the diminutive Mbox would eventually be superseded by the next-generation hardware.
#Digidesign mbox 2 pro reviews software
The power of LE means many projects are fully realised on these native CPU processing-based systems, never leaving the LE software realm unless the limits of the 32 simultaneous audio tracks prove too constraining. A project can be recorded, edited and tweaked until it’s time to migrate the session up to a more empowered DSP-driven HD and TDM systems. The beauty of these cheaper ProTools LE devices lies in their seamless integration with ProTools TDM software.
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Building on the considerable success of the original Mbox – which itself gave rise to a series of copycats – Digidesign’s Mbox 2 looks set to make ProTools to recording what the Windows platform has become to the internet. The musical revolution that has taken place in the home since CPU-based (native) processing became a viable alternative to vastly more expensive, proprietary DSP card-driven platforms, has spawned an explosion of entry-level interfaces, and the latest of these is Digidesign’s own Mbox 2, which utilises its ubiquitous LE software.
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In a universe where tape has all but disappeared in favour of hard drives, Digidesign has earned a position in history as being the professional studio replacement for tape and tape editing. Brad Watts tucks in.ĭigidesign has certainly had more than its fair share of loyal customers over the years, as well as a smaller band of vociferous detractors, but no matter which camp you consider yourself resident of, none would contest the fact that the ProTools platform permeates the audio world like no other. 5 October 2005 Digidesign has souped-up its entry-level ‘studio in a box’ with more I/O and a bit more besides.
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